Table Of Content
- Watch film
- Teskey Brothers Manager Jeremy Furze Wins Big at 2024 AAM Awards
- Life
- “Collaboration” before “Convention”: Aiko Masubuchi and the Future of Japanese Film
- Charlotte Wells remembers late dad as she wins Outstanding Newcomer at the BAFTAs
- How To Watch The Met Gala: Livestream Link, Who'll Be There, Time & Date, Hosts
- In ‘Aftersun,’ Charlotte Wells makes a shattering debut
They were both on set and we see — as the camera pans back to Calum in the shot — at the end of the scene, Frankie would get up from the bed and leave the room with Paul together. They would remain outside the room together and we would reset. Paul had to shift from being in that internal space that allowed him to play that intense scene, back to playfully hanging out with Frankie. To some degree, that reflects what that character had to do in that moment, so it all played into itself. Indeed, Wells’ three short films and “Aftersun” all feature the same precise calibration of tone and internal meanings. Her characters struggle to express their frustrations in a world that boxes them in.
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During their big balcony moment, Princess Charlotte enjoyed a giggle with her brother as they waved to the throngs of royal well-wishers lining the Mall. The youngster sweetly flashed a warm smile as she observed her brother making a series of cheeky faces. Princess Charlotte protectively held Prince Louis' hand as the sibling duo made their way into Westminster Abbey ahead of King Charles and Queen Camilla's spectacular coronation ceremony.
Teskey Brothers Manager Jeremy Furze Wins Big at 2024 AAM Awards
Charlotte Wells might have heard me weeping at the premiere of her film. “There was someone behind me crying quite audibly,” says the Scottish director, who was still putting the finishing touches to her feature debut, Aftersun, when it crash-landed at Cannes back in May. She’s been forced to play grief counsellor to scores of traumatised viewers ever since. I have a torso on an hour’s worth of digital video playing chess. All of our heads are framed out of screen because the chess board is more interesting. My generation has more than the generation before, and this current generation record more than ever.
Life
Perhaps that is what comes from being a wunderkind with a generous dose of life experience. Murmur of the Hearts by Sylvia Chang was the last film that I sobbed at in the way that people describe sobbing at this film. I saw that in the midst of writing this and was inconsolable. It was so limiting in a way for her, whereas for me, it felt of infinite possibility. People try to box it in, in terms of distributor or the support that I received. But I wasn’t necessarily thinking about the form conforming to anything other than pursuing which films interested me.
“Collaboration” before “Convention”: Aiko Masubuchi and the Future of Japanese Film
“I am interested in exploring the unknowability of ourselves and the people closest to [us],” Wells explained. “I think, even as you grow older, it’s hard to see your parents as people. But they’re still your parents.” Trying to understand anyone, the film posits, is an act of love. When a child tries to understand a parent, it’s the deepest kind of love there is.
Charlotte Wells remembers late dad as she wins Outstanding Newcomer at the BAFTAs
Aftersun builds its tension by allowing the audience to slowly see more and more of Calum’s pain, until we watch him break down crying. He could have died due to some of his self-destructive behavior, or his mental health issues could have gotten so bad that he disappeared, never to be seen again. His fate isn’t confirmed, but this is a film about grief and loss, at least one aspect of it. So whatever has happened to Calum, the loving father from the vacation is gone forever. We then see Calum recording her as she boards a plane back to Edinburgh to be with her mother and return to her life.
‘Aftersun’ Charts the Paradoxes of the Parent-Child Relationship - The Atlantic
‘Aftersun’ Charts the Paradoxes of the Parent-Child Relationship.
Posted: Sat, 29 Oct 2022 07:00:00 GMT [source]
British Film Institute
She then earned a Master of Fine Arts and a Master of Business Administration at the Tisch School of the Arts. She was supported by the BAFTA New York Media Studies Scholarship Program while in school and wrote and directed three short films. In 2018, she was named one of Filmmaker’s 25 New Faces of Independent Film, and in 2020, she became a fellow at the 2020 Sundance Institute Screenwriters and Directors Labs. NPR's Scott Simon speaks with director Charlotte Wells about her new movie, "Aftersun," a story that follows a father and daughter as they remember the last summer vacation they spent together. Calum is a thirty-something father, and even though he had separated from Sophie’s mother, he continued to maintain a healthy relationship.
Mescal, meanwhile, has completely outdone himself in the role of Calum, a young father clearly lost in life and wrought with mental health issues. Aesthetically, Aftersun is decidedly pared back – a simple, heartbreaking story of the relationship between a father and daughter. Though it’s a bittersweet tale, it still leaves viewers with a warm glow. The film’s director is Charlotte Wells, who hails from Scotland, and this is her first feature-length film.
You can just feel the weight of his absence so much that it seems like the movie makes a big declaration about his fate. As Philip Roth observed, getting people wrong — again and again — is a common human pastime. Best of all are the ellipses the film elegantly leaves, gradually drawing the viewer in with its woozy atmospherics and unspoken questions.
As an eleven-year-old, she did not know that would be the last dance she would have with her father. It seemed as if she could still feel the warmth of the last hug before leaving. She would have held him a little longer if she knew what the future had in store. Aftersun takes on that profound challenge with graceful imagery, technical precision, and fine-tuned performances from Mescal and Corio.
As the major awards shows loom, Wells spoke to THR about what the positive reception has been like, what she considers the most pivotal scenes and how she chose the tunes for the movie’s crucial musical moments. Wells was born and raised in Edinburgh, but moved to the US in 2012 to study film at New York University. That lucidity is everywhere in Aftersun, which paints its characters’ interior lives in quiet, telling strokes reminiscent of Moonlight director Barry Jenkins, who served as a producer on the film. Does it speak to an audience hunger for films that aren’t too prescriptive? One thing that struck me was the second we finished screening in Cannes, this young man came up to me and shared his own and his mother’s experience with depression. Many scenes in Aftersun feature little to no dialogue, and that restraint proves essential.
Charlotte Wells on Aftersun: "The single-father/daughter relationship wasn’t a relationship I’d seen. That was part of ... - hotpress.com
Charlotte Wells on Aftersun: "The single-father/daughter relationship wasn’t a relationship I’d seen. That was part of ....
Posted: Tue, 06 Dec 2022 08:00:00 GMT [source]
Plaudits to editor Blair McClendon, who juxtaposes scenes and images in almost hyperreal, dreamlike fashion, conjuring a magical space in which time seems to bend emotionally. Charlotte Wells’s debut feature film, “Aftersun,” is emotionally profound and authentic in its craft. The film effectively captures the pain of lost time and the hopelessly overwhelming desire to understand a long-lost person. Wells brilliantly explored the father-daughter relationship through a trip to Turkey.
Spent most of my life in various parts of Illinois, including attending college in Evanston. I have been a life long lover of pop culture, especially television, turned that passion into writing about all things entertainment related. When I'm not writing about pop culture, I can be found channeling Gordon Ramsay by kicking people out the kitchen.
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